After premiering two of his previous movies at the Cannes Film Festival, The Florida Project (2017) and Red Rocket (2021), it is finally his latest movie, Anora, that won Sean Baker the ...

In the keynote chat at IndieWire's inaugural Future of Filmmaking Summit, the Palme d'Or winning filmmaker discussed his career and the importance marginalized communities have in his storytelling.

As Sean Baker continues to swear by tried-and-true film, he worries it’s a dying medium in Hollywood. The Anora writer-director, who shot the Palme d’Or winner on Kodak 35mm, recently mourned ...

To claim that this is the year that Sean Baker truly arrived feels like a strange thing to say. The American filmmaker has been chipping away for years, ever since he made his debut in 2000 with ...

She's absolutely electric as the title character in director/writer Sean Baker's latest exploration of life on the lower rungs, in which a young woman makes ends meet as a sex worker in Brooklyn's ...

“Anora,” the latest feature film from the slice-of-life director Sean Baker, is a rocket-fuelled joy-ride that keeps you smiling from ear to ear — right until the dreary final scene has you ...

"Frenetic and funny, fiery and profane", Sean Baker's "brilliant" new film, "Anora" is a "screwball Cinderella tale", said Xan Brooks in The Guardian. The "boisterous ...

(Don’t worry about spoilers — that’s just the setup.) But for director Sean Baker, there has been no morning after, no cold light of day. “Anora” has just been one thrill after another.

It’s fair to say Sean Baker is trying to change how people look at sex workers. In his iPhone-shot 2015 indie “Tangerine” he explored a friendship between two transgender sex workers who ...

With films like Tangerine and Red Rocket, Sean Baker has become known as the bard of sex workers. So while his new film, Anora, centers on a lap dancer, it also goes back to his earliest roots ...

As Sean Baker continues to swear by tried-and-true film, he worries it’s a dying medium in Hollywood. The Anora writer-director, who shot the Palme d’Or winner on Kodak 35mm, recently mourned the ...