Opera Parallèle's staging of Philip Glass' "La Belle et la Bête" delivers a spellbinding blend of opera and film in Berkeley.

In his solo show "Muscle Memory," Dylan Doe traces how our digital dependencies manifest in in the human body and mind.

Anonymity has become part of a lucrative brand for the artist Banksy, but records we unearthed prove his true identity and show the new name he used to travel to Ukraine.

Eran Alboher shows how he uses shape language to create compositions for characters that tell their own story.

The Arthur Miller classic, starring Peter Jacobson and Adrianne Krstansky and directed by Melia Bensussen, still enchants and educates.

Pete Docter's comments about cutting a gay "Elio" storyline are part of the company's up-and-down history with LGBTQ representation and censorship.

Maggie Gyllenhaal’s "The Bride!" is deeply flawed — and more exciting than any recent take on Mary Shelley's work.