Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...

Every day, Wilmingtonians encounter legacies of the Bancroft family. Samuel Bancroft Jr. (1840-1915) and William Bancroft (1835-1928) radically reshaped Wilmington by preserving public green space, ...

On “Poetry in Beauty: The Pre-Raphaelite Art of Marie Spartali Stillman” at the Watts Gallery, Surrey. It must have been fun to be a member of the Pre-Raphaelite Brotherhood, but what about the ...

An artist can reveal the true personality of their sitter through a drawing. The first section of the Ashmolean’s exhibition includes intimate portraits of the group’s family, patrons and friends; it ...

The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...

Highlights of our sale of Victorian, Pre-Raphaelite & British Impressionist Art on 15 December include the recently rediscovered The Bird’s Nest by Sir George Clausen and important paintings by his ...

The musical theater composer stopped in Wilmington during the “Phantom of the Opera” revival tour to talk about Victorian-era paintings. Andrew Lloyd Webber and curator Sophie Lynford stand in front ...

The top-selling image at the museum bookstore of London’s Tate Britain is of a young woman floating on her back in a quiet river. Heavy-lidded eyes stare emptily upwards, lips are parted in confusion, ...

The National Gallery of Art’s exhibit “The Pre-Raphaelite Lens: British Photography and Painting” welcomed me with a depiction of two lovers embracing each other passionately. At first glimpse, I had ...