Artemisia Gentileschi, “Judith and her Maidservant with the Head of Holofernes” (1639 or 1640) (photo by Børre Høstland, all images courtesy the National Museum) ...

In Artemisia’s circa 1625-1627 Judith and Her Maidservant, a less grisly version of the death of Holofernes often cited as a case study of high Baroque, Judith and her servant pause, seeming to ...

This visitor, Kehinde Wiley’s Judith and Holofernes (2012), is here as half of a two-painting special exhibition, “Slay: Artemisia Gentileschi & Kehinde Wiley,” on view through October 9.

Hailed as an icon and belatedly recognized in the 21st century, Artemisia Gentileschi was more than a victim of male oppression – she was a master painter in her own right. On Artemisia’s Honor Log In ...

Artemisia Gentileschi “Judith and Holofernes” is part of an exhibit at the Kimbell Art Museum in Fort Worth. Provided In her painting “Judith and Holofernes,” the Italian Baroque artist ...

In Gentileschi’s version of Judith and Holofernes, the servant aids her mistress, preventing her defilement and the plunder of their country. It’s an act Gentileschi herself might have wished for.

Mann and Christiansen state in Orazio and Artemisia Gentileschi, “The painting is generally recognized as Artemisia’s finest work.” Judith and Her Maidservant with the Head of Holofernes was ...

After a long-forgotten painting of Hercules and Omphale was punctured during the 2020 explosion in Beirut, it has been ...

Susanna and the Elders, painted by Artemisia Gentileschi in the late 1630s, was commissioned by a queen — but it was later lost. It's now back on display, after being restored.